listen to sleepless

Tuesday, May 26, 2009

A host of songs to choose from

You can find recodings of these songs at www.sleepless.com.au/songs ... look in wallflower red, black and blue ...

Current hits

Trouble
Let Me Adore You
It’s Over
Grace
Holding Pattern
Small Mercies
Let Me Out
Bright Note
Mud
Oh Darling
Time Heals

Familiar Tracks

Vehicles
Losing my head
Dark
Spineless
Certain Visitors
A stone in my shoe (tightrope)
Miss Basset
Carry you
Paperweight (She keeps)
Everything is not always enough

Golden oldies

Sweet dreams
Treasure (G Em C D C D)
Sparkler (C F Fm ... C E Am F (Fm) ... C E Am F D7 F Fm C)
Hard
Envy
Breathe Easy
Time to go (A F#m D Dm ... A C# D ... A C# D Dm)
Blake street (D Am C G)
Razorwire
Digging

New releases

My hand
The rise and fall
Frames
Silo

That's 35 songs ... bring something unexpected to bp ... an idea, an arrangement, some work

Thursday, May 7, 2009

Improvement (no baggage)

I would like us to look for ways to improve ... find things that work and then look for "the next step" ... raise the standard

I think that the way for us to improve is to be specific about the areas for improvement and deliberate in our strategies to achieve "improvement"

We should make a list of things ... specific things ... that we want to change/improve

We need "permission" from each other to do this ...

We also need to let people work out strategies that work ...

We don't need excuses or reasons for not improving ... but people sometimes need to explain themselves e.g. I want us to be as good as we were at The Fringe ... I don't care why we are not ... I want to make sure we get better as quickly as possible ... in order to achieve this we need to deliberately attend to improvement

... it is worth considering that having someone identify what they want to improve without asking them is very powerful ... it instills confidence ...

in the past I think we have been unlikely/unwilling to disclose our own "short-comings" and more likely to make demands and excuses ... I would like to change this ...

... we have shown that we can get to a high standard ... i want to work to stay there, and not "lose touch" ... I am not sure how this happens but given that we aren't going to play "all the time" we have to find another way to overcome this ...

... we shouldn't put up with things that don't work ... we should identify issues and work to fix them ...

I know that if I identify a problem I would like it to be acknowledged and responded to ... I don't want to know why the problem exists ... the focus on explanations makes me think that the issue will not be attended to in a "future sense" ...

... if someone forgets/messes up a lyric, chord pattern, harmony, melody, rhythm, song structure, dynamic then we should identify it and then work out what support/strategy is required to fix it ... it is not enough to say that it is just the "perpetrator's" problem and it is up to them to make it work ... we are all affected and we need to know that it will be attended to ... this doesn't mean that every problem must be fixed immediately ... it means we must all be allowed to own the problem and contribute to it's resolution

this only works if it is done in "good faith" ...

1. identify an issue
2. acknowledge/accept the issue
3. give no excuses
4. discuss possibilities/strategies
5. commit/work

simple in an atmosphere of trust

The Future

I really like the future for us...

  • Get tight again
  • Start the recording process for the next album, (VERY exciting, record an Orange as aplace to start)
  • Play gigs in a way that really suits us, (Sit down, Make a sound I can only describe as a food you really like to eat, be entertaining)
Getting tight
How can we short-cut the re-learning and remembering of songs?
Professional musicians do it by mastering their instrument and reading a common language, (sheet music).

For Sleepless musicians, I think we need to do it individually in a way that suits each of us. For me, being involved in the set list and making a few select notes really works. Also I practice mid week. But for each of us it will be different.

(The last 2 set lists are attached)

I'd really like each of us to do some work on thinking about what works for us.

Recording Orange

  • Lets practice next week with everyone and decide songs
  • MLJ, MD and I can lay down beds the weeks after, (MD can record some guide vocals as we go)
  • Peter and Damian can over-dub Peters Guitars, (Perhaps we can devise a system where Peter records them himself at home!?!?!)
  • We lay down vocals.

We use Orange to plan the next album...

Damian out!


Fringe%20Set%20List.doc
EMPRESS%20SET%20LIST.doc